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Point of Impact Audio CD – Audiobook, January 9, 2007
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But with consummate psychological skill, a shadowy military organization seduces Bob into leaving his beloved Arkansas hills for one last mission for his country, unaware until too late that the game is rigged.
The assassination plot is executed to perfection—until Bob Lee Swagger, alleged lone gunman, comes out of the operation alive, the target of a nationwide manhunt, his only allies a woman he just met and a discredited FBI agent.
Now Bob Lee Swagger is on the run, using his lethal skills once more—but this time to track down the men who set him up and to break a dark conspiracy aimed at the very heart of America.
From the Paperback edition.
- LanguageEnglish
- PublisherRandom House Audio
- Publication dateJanuary 9, 2007
- Dimensions4.96 x 0.61 x 5.83 inches
- ISBN-100739344242
- ISBN-13978-0739344248
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From the Paperback edition.
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
It was November, cold and wet in west Arkansas, a miserable dawn following on a miserable night. Sleet whistled through the pines and collected on the humps of stone that jutted out of the earth; low overhead, angry clouds hurtled by. Now and then the wind would rush through the canyons between the trees and blow the sleet like gunsmoke. It was the day before hunting season.
Bob Lee Swagger had placed himself just off the last climb that led up to Hard Bargain Valley, that flat splurge of tabletop high in the Ouachitas, and he sat in perfect silence and perfect stillness against an old pine, the rifle across his knees. This was Bob's first gift: the gift of stillness. He acquired it naturally, without instruction, from some inner pool where stress never reached. Back in 'Nam he was something of a legend for the nearly animallike way he could will his body reactions down, stiller than death.
The cold had fought through his wool leggings and up and under his down vest and begun to climb up his spine, like a sly little mouse. He gritted his teeth, fighting the urge to let them chatter. Now and then his hip throbbed from a wound from long ago. He instructed his brain to ignore the phantom ache. He was beyond will. He was in some other place.
He was earning Tim.
You see, he'd tell you, if you were one of the two or three men in the world he talked to–old Sam Vincent, say, the ex-Polk Country prosecutor, or maybe Doc LeMieux, the dentist, or Vernon Tell, the sheriff–you can't just shoot an animal. Shooting's the easy part. Any city dick can sit in a stand, drink hot coffee and wait till some doe goes prancing by, close enough to touch, and then put the muzzle of his Wal-Mart rifle and squeeze-jerk the trigger and blow a quart of her guts out and find her three counties away, bled out, her eyes still somehow beaming dumb pain.
You earned your shot, Bob would tell you, by letting whatever was happening to the animal happen to you and for however long. Fair was fair, after all.
Through the pines and the saplings, he could see the clearing 150 yards ahead, a little below, coming gradually into what small, low light there'd be that day. A trail ran through it, and at dawn and again at twilight he knew the animals would filter through, one by one, a buck and his harem. Last night, Bob had seen twelve, three bucks, one a nice fat eight-pointer even, and their ladies.
But he'd come for Tim. Old Tim, scarred and beat up, with many an adventure behind him. Tim would be alone, too: Tim didn't have a harem, and didn't need one anymore. One year Tim had had a prong of antler shot off by some lucky city dick from Little Rock and looked out of balance for a whole season. Tim had limped another whole year because Sam Vincent, not as spry as once he'd been, had held sloppy and put a .45-70 softpoint–too much gun, but Sam loved that old Winchester–into his haunches, and only bled him bad enough to kill any normal buck.
Tim was tough, Bob knew, and that was the kindest word he had for anybody, living or dead.
Bob was in his seventeenth hour of sitting. He had sat all night in the cold; and when, about four, sleet had started, he still sat. He was so cold and wet he was hardly alive, and now and again a picture of another time would come up before his eyes but always, he'd shake it out, keeping himself set on what lay ahead 150 yards.
Come on, you old bastard, he was thinking. I'm earning you.
Then he saw something. But it was only a doe and her fawn and in their lazy, confident, stupid animal way they came down the trail from the hill and began to move on down to graze in the lower forest, where some lucky city fool would certainly kill them.
Bob just sat there, next to his tree.
Dr. Dobbler swallowed, trying to read the mystery in Colonel Shreck's eyes. But as always, Shreck sat there with a fierce scowl masking his blunt features, radiating power and impatience and somehow scaring everybody in the room. Shreck was scary. He was the scariest man Dobbler had ever known, scarier even than Russell Isandhlwana, the dope dealer who had raped Dobbler in the showers of Norfolk State Penitentiary in Massachusetts and made the doctor his punk for a very, very long three months.
It was late. Outside the rain drummed on the tin roof of the Quonset. A stench of resting metal, old leather, dust, unwashed socks and stale beer hung in the room; it was a prison smell, though this wasn't a prison, but the field headquarters of an outfit calling itself RamDyne Security on several hundred obscure acres of untillable central Virginia.
The planners sat in front of the darkened room; the brutish Jack Payne, the second scariest man in the world, sat across the table; and that was all, such a tiny team for the immense and melancholy task that lay ahead of them.
On a small screen, four faces had been projected, now glowing in the dark. Each represented a hundred other possibilities; these men had been discovered by Research, investigated at length by Plans, watched by the pros from Operations, and then winnowed to this sullen quartet. It was Dobbler's job to break them down psychologically for Colonel Raymond Shreck's final decision.
Each of the final four had a flaw, of course. Dr. Dobbler pointed these out. He was, after all, still a psychiatrist, if now uncertified. Flaws were his profession.
"Too narcissistic," he said of one. "He spends too much on his hair. Never trust a man in a seventy-five-dollar haircut. He expects to be treated special. We need somebody who is special but has never been treated special."
As for Number 2, "Too smart. Brilliant, tactically brilliant. But always playing the games. Always thinking ahead. Never at rest."
Of the third, "Wonderfully stupid. But slow. Exactly what we need so far as certain qualities are required, and experienced in the technical area. Obedient as a dog. But slow. Too slow, too literal, too eager to please. Too rigid."
"I hear you flirting again, Dobbler," said Colonel Shreck, brutally. "Just give us the information, without the charm."
Dobbler winced.
"Well," he finally said, "that leave us with only one."
Jack Payne hated Dobbler. The softy Dobbler, with his big head, scraggly beard and long sensitive fingers, was everything pussy in the world. He had tits. He was almost a woman. He tried to turn everything into show.
Jack Payne was a dour, nasty-looking little man, tattooed and remote, with blank, tiny eyes in his meaty face. He was enormously strong, with a pain threshold that was off the charts. His specialty was getting things done, no matter what. He touched the cut-down Remington 1100 in its custom under-shoulder rig beneath his left arm. In the long tube under the barrel there were six double-ought 12-gauge shells. In each shell were nine .32 caliber pellets. He could fire fifty-four bullets in less than three seconds. Got lots of stuff done with that.
"The details are impressive," Dobbler was saying. "He killed eighty-seven men. That is, eighty-seven men stalked and taken under the most ferocious conditions. I think we'd all have to agree that's impressive."
There was a pause.
"I killed eighty-seven men in an afternoon," Jack said.
Jack had been stuck in a long siege at an A-team camp in the southern highlands, and in the last days the gooks had thrown human wave attacks at them.
"But all at once. With an M-60," said Colonel Shreck. "I was there too. Go ahead, Dobbler."
Dobbler was trembling, Jack could see. He still trembled when the colonel addressed him directly sometimes. Jack almost laughed. He smelled fear on the psychiatrist. He loved the odor of other men's fear.
But Dobbler pressed ahead. "This is none other than Gunnery Sergeant Bob Lee Swagger, USMC, retired, of Blue Eye, Arkansas. They called him 'Bob the Nailer.' He was the United States Marine Corps's second leading individual killer in Vietnam. Gentlemen, I give you the great American sniper."
Bob loved their magic. When he had hunted men, there was no magic. Men were stupid. They farted and yakked and gave themselves away miles before they moved into the killing zone.
But the deer, particularly the old Ouachita stags, appeared like ghosts, simply exploding out of brushy nothingness, as if they were superior visitors from another planet. And they were superior, in their way, Bob knew: their senses so razor keen, everything focused on the next two minutes. That was their secret. They didn't think about the last two minutes, which had ceased entirely to exist in the second after they were experienced, had evaporated entirely. They only thought about the next two minutes. No past, no real future. There was only now.
And so when Tim materialized with the force of a sharp memory out of the thin Arkansas pines, stunning Bob with his beauty, he did not quite surprise him.
Bob had learned years back in hard places that surprise was dangerous. It made you jerk awkwardly upon the first moment of encounter, and you gave away your edge.
So Bob's initial reaction to Tim was nothing that his body showed.
He was downwind, so no odors would reach Tim's keen nostrils, though Bob of course had washed yesterday with odorless soap; he'd air-dried his clothes; he'd washed his mouth out with peroxide so no tang of toothpaste could hang in the forest air.
The animal's head twitched and turned, and unerringly turned to Bob.
You can't see me, Bob thought. I know how you operate. You can see motion, you're a smart boy at picking out a flick of motion, scampering off to safety; but you can't see pattern. Here I sit, and you're looking right at me and you can't see me.
Bob let the beast's gaze wash over him, then felt it slide away. This was the part he liked...
Product details
- Publisher : Random House Audio; Abridged edition (January 9, 2007)
- Language : English
- ISBN-10 : 0739344242
- ISBN-13 : 978-0739344248
- Item Weight : 4.2 ounces
- Dimensions : 4.96 x 0.61 x 5.83 inches
- Best Sellers Rank: #2,611,912 in Books (See Top 100 in Books)
- #14,233 in Mystery Action & Adventure
- #23,722 in Thriller & Suspense Action Fiction
- #34,065 in Contemporary Literature & Fiction
- Customer Reviews:
About the author

Stephen Hunter won the 2003 Pulitzer Prize for Criticism as well as the 1998 American Society of Newspaper Editors Award for Distinguished Writing in Criticism for his work as film critic at The Washington Post. He is the author of several bestselling novels, including Time to Hunt, Black Light, Point of Impact, and the New York Times bestsellers Havana, Pale Horse Coming, and Hot Springs. He lives in Baltimore.
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Nearly 30 years after initial publication, Point of Impact remains timeless in its genre... I'm eager to follow up with the rest of the series.
Bob's career ended in '72 when he received a near fatal wound from an enemy sniper working at extreme range - the same incident in which Bob's spotter Donny Fenn was killed. Now, in the 1990's, Bob lives in the tiny town of Blue Eye, deep in the Ouachita hills of Arkansas. He still loves the hunt but no longer kills. He uses Delrin bullets which only stun the prey, usually mature bucks whose antlers he then cuts off, rendering the animal useless as a trophy and ensuring its long life.
Enter twisted shrink Dobbler, Colonel Shreck and his henchman Jack Payne of the Ramdyne Corporation. They have a sinister plan, and Bob Lee Swaggart is the perfect fit. The question facing them is simple: how to find a trophy Bob Lee will hunt.
How about the Russian sniper who killed the man's spotter and ended his career?
Bob Lee is drawn in, allowed to fire a priceless rifle and prove he still has the skill. Slowly, Colonel Shreck reveals his true motive; there's a conspiracy to kill the president. The shot will be from more than fourteen hundred yards, an unheard of distance, and, the Russian will be the shooter. Only Bob Lee has the skills to figure out where and when it will happen.
Bob Lee signs on, only to watch helplessly as the sniper kills not the president, but a Salvadoran Bishop who'd just been honored with the Medal of Freedom. Moments later, Jack Payne, supposed ally, shoots Bob Lee at point blank range. It's a setup. They're framing Bob Lee for the murder.
Bob Lee throws himself out a window and practically into the arms of surprised FBI Special Agent Nick Memphis, who's been assigned to the far outskirts of the presidential cavalcade. Nick is the same notorious agent who muffed the shot and hit the person he was trying to rescue - leaving her a quadriplegic for life.
Bob makes his escape good. Things are nowhere near as happy for Memphis. When the fleeing felon disarms him and steals his agency car, Nick takes yet another of what will become a progression of downward steps that could lead to the end of his career. Still, he can't help remembering the compassion in Bob Lee Swagger's eyes, and the fact that he didn't pull the trigger when he easily could have killed Nick.
What follows is one of the most intriguing rollercoasters of story line I've read in many years. Bob Lee and Nick join forces, and Bob Lee forgets all about his vow never to kill again. You can't help but feel that even though the two are up against the FBI and the dark forces of the super secret RamDyne Corporation, the federal agencies are the ones who don't have a chance. I loved this one. I've seen the movie, too: the book is ten times better. Read it. Skip the movie until after.
Art tirrell is the author of The Secret Ever Keeps
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P.S. I am 82 years old with a bad memory so its like reading old books for the first time

I don't want to give it all away, but on to the broad outline of the plot: Bob Lee gets asked by some spooks to scope out a possible assassination threat to the President, is framed for the shooting (not the Pres, in the event), manages to escape, and sets out to discover the who, how, and why of the frame. On the way, he hooks up with a (sniper-trained) FBI agent and his late comrade-in-arms's girlfriend, and has numerous gun battles, before turning himself in and demonstratng his innocence to the courts.
This is a thrilling roller-coaster of action, with lots of stuff about guns (Hunter is clearly a buff). Bob Lee is a great character - a hardscrabble redneck type with a strong sense of honour - and the twists and turns of the plot are well thought out. I loved this book, and have read it several times. It is way better than the film based on it (The Shooter, with Mark Wahlberg), which loses many of the twists of the plot (to save money, probably). Read this, don't watch that.

Having already seen the film adaptation of this book, I kind of knew how the plotline would go, people have always told me that films are never as good as the books they're based on, I didn't believe them until I read this! There is so much more included in the novel than the film and it seems to me the film missed out the best bits! A great book for any guy really and well worth the money.

