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About Michael Connelly
Michael Connelly is the bestselling author of over thirty novels and one work of nonfiction. With over eighty million copies of his books sold worldwide and translated into forty-five foreign languages, he is one of the most successful writers working today. A former newspaper reporter who worked the crime beat at the Los Angeles Times and the Fort Lauderdale Sun-Sentinel, Connelly has won numerous awards for his journalism and his fiction. His very first novel, The Black Echo, won the prestigious Mystery Writers of America Edgar Award for Best First Novel in 1992. In 2002, Clint Eastwood directed and starred in the movie adaptation of Connelly's 1998 novel, Blood Work. In March 2011, the movie adaptation of his #1 bestselling novel, The Lincoln Lawyer, hit theaters worldwide starring Matthew McConaughey as Mickey Haller. His most recent New York Times bestsellers include The Law Of Innocence, Fair Warning, The Night Fire, Dark Sacred Night, Two Kinds Of Truth, and The Late Show. Michael is the executive producer of Bosch, an Amazon Studios original drama series based on his bestselling character Harry Bosch, starring Titus Welliver and streaming on Amazon Prime. He is also the executive producer of the documentary films, "Sound Of Redemption: The Frank Morgan Story' and 'Tales Of the American.' He spends his time in California and Florida.
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Titles By Michael Connelly
A year has passed since LAPD detective Renée Ballard quit the force in the face of misogyny, demoralization, and endless red tape. But after the chief of police himself tells her she can write her own ticket within the department, Ballard takes back her badge, leaving “the Late Show” to rebuild and lead the cold case unit at the elite Robbery-Homicide Division.
For years, Harry Bosch has been working a case that haunts him—the murder of an entire family by a psychopath who still walks free. Ballard makes Bosch an offer: come volunteer as an investigator in her new Open-Unsolved Unit, and he can pursue his “white whale” with the resources of the LAPD behind him.
First priority for Ballard is to clear the unsolved rape and murder of a sixteen-year-old girl. The decades-old case is essential to the councilman who supported re-forming the unit, and who could shutter it again—the victim was his sister. When Ballard gets a “cold hit” connecting the killing to a similar crime, proving that a serial predator has been at work in the city for years, the political pressure has never been higher. To keep momentum going, she must pull Bosch off his all-consuming investigation, the case that is the consummation of his lifelong mission.
The two must put aside old resentments and new tensions to run to ground not one but two dangerous killers who have operated with brash impunity. In what may be his most gripping and profoundly moving book yet, Michael Connelly shows once again why he has been dubbed “one of the greatest crime writers of all time” (Ryan Steck, Crimereads).
A Wall Street Journal and South Florida Sun-Sentinel Best Book of the Year
“A masterpiece”—LAPD detective Renée Ballard must join forces with Harry Bosch to find justice in a city scarred by fear and social unrest after a methodical killer strikes on New Year’s Eve (Publishers Weekly).
There’s chaos in Hollywood at the end of the New Year’s Eve countdown. Working her graveyard shift, LAPD detective Renée Ballard waits out the traditional rain of lead as hundreds of revelers shoot their guns into the air. Only minutes after midnight, Ballard is called to a scene where a hardworking auto shop owner has been fatally hit by a bullet in the middle of a crowded street party.
Ballard quickly concludes that the deadly bullet could not have fallen from the sky and that it is linked to another unsolved murder—a case at one time worked by Detective Harry Bosch. At the same time, Ballard hunts a fiendish pair of serial rapists, the Midnight Men, who have been terrorizing women and leaving no trace.
Determined to solve both cases, Ballard feels like she is constantly running uphill in a police department indelibly changed by the pandemic and recent social unrest. It is a department so hampered by inertia and low morale that Ballard must go outside to the one detective she can count on: Harry Bosch. But as the two inexorable detectives work together to find out where old and new cases intersect, they must constantly look over their shoulders. The brutal predators they are tracking are ready to kill to keep their secrets hidden.
Unfolding with unstoppable drive and nail-biting intrigue, The Dark Hours shows that “relentless on their own, Ballard’s and Bosch’s combined skills…could be combustible” (Los Angeles Times).
Harry Bosch teams up with LAPD Detective Renée Ballard in the new novel from #1 New York Times bestselling author Michael Connelly.
Detective Renée Ballard is working the night beat--known in LAPD slang as "the late show"--and returns to Hollywood Station in the early hours to find a stranger rifling through old file cabinets. The intruder is retired detective Harry Bosch, working a cold case that has gotten under his skin.
Ballard can't let him go through department records, but when he leaves, she looks into the case herself and feels a deep tug of empathy and anger. She has never been the kind of cop who leaves the job behind at the end of her shift--and she wants in.
The murder, unsolved, was of fifteen-year-old Daisy Clayton, a runaway on the streets of Hollywood who was brutally killed, her body left in a dumpster like so much trash. Now Ballard joins forces with Bosch to find out what happened to Daisy, and to finally bring her killer to justice. Along the way, the two detectives forge a fragile trust, but this new partnership is put to the test when the case takes an unexpected and dangerous turn.
Dark Sacred Night for the first time brings together these two powerhouse detectives in a riveting story that unfolds with furious momentum. And it shows once more why "there's no doubt Connelly is a master of crime fiction" (Associated Press).
Renee Ballard works the midnight shift in Hollywood, beginning many investigations but finishing few, as each morning she turns everything over to the daytime units. It's a frustrating job for a once up-and-coming detective, but it's no accident. She's been given this beat as punishment after filing a sexual harassment complaint against a supervisor.
But one night Ballard catches two assignments she doesn't want to part with. First, a prostitute is brutally beaten and left for dead in a parking lot. All signs point to a crime of premeditation, not passion, by someone with big evil on his mind. Then she sees a young waitress breathe her last after being caught up in a nightclub shooting. Though dubbed a peripheral victim, the waitress buys Ballard a way in, and this time she is determined not to give up at dawn. Against orders and her partner's wishes, she works both cases by day while maintaining her shift by night.
As the investigations intertwine, Ballard is forced to face her own demons and confront a danger she could never have imagined. To find justice for these victims who can't speak for themselves, she must put not only her career but her life on the line.
Propulsive as a jolt of adrenaline and featuring a bold and defiant new heroine, The Late Show is yet more proof that Michael Connelly is "a master of the genre" (Washington Post).
When Graciella Rivers steps onto his boat, ex-FBI agent Terrell McCaleb has no idea he's about to come out of retirement. He's recuperating from a heart transplant and avoiding anything stressful. But when Graciella tells him the way her sister, Gloria, was murdered, Terry realizes he has no choice. Now the man with the new heart vows to take down a predator without a soul. For Gloria's killer shatters every rule that McCaleb ever learned in his years with the Bureau-as McCaleb gets no more second chances at life...and just one shot at the truth.
*Winner of the Grand Prix de Littérature Policière- International Category
*Winner of the Macavity Award for Best Mystery Novel
*Winner of the Anthony Award for Best Novel
An electrifying standalone thriller that breaks all the rules! With an introduction by Stephen King.
Death is reporter Jack McEvoy's beat: his calling, his obsession. But this time, death brings McEvoy the story he never wanted to write--and the mystery he desperately needs to solve. A serial killer of unprecedented savagery and cunning is at large. His targets: homicide cops, each haunted by a murder case he couldn't crack. The killer's calling card: a quotation from the works of Edgar Allan Poe. His latest victim is McEvoy's own brother. And his last...may be McEvoy himself.
A NEW YORK TIMES BOOK REVIEW BEST CRIME NOVEL OF THE YEAR
A CrimeReads Best Crime Novel Notable selection
Harry Bosch and LAPD Detective Renée Ballard come together again on the murder case that obsessed Bosch's mentor, the man who trained him---new from #1 New York Times bestselling author Michael Connelly
Back when Harry Bosch was just a rookie homicide detective, he had an inspiring mentor who taught him to take the work personally and light the fire of relentlessness for every case. Now that mentor, John Jack Thompson, is dead, and his widow gives Bosch a murder book, one that Thompson took with him when he left the LAPD twenty years before -- the unsolved killing of a troubled young man.
Bosch takes the murder book to Detective Renée Ballard and asks her to help him discover what about this crime lit Thompson's fire all those years ago. As she begins her inqueries -- while still working her own cases on the midnight shift -- Ballad finds aspects of the initial investigation that just don't add up.
The bond between Bosch and Ballard tightens as they become a formidable investigation team. And they soon arrive at a disturbing question: Did Thompson steal the murder book to work the case in retirement, or to make sure it never got solved?
Written with the intense pacing and masterful suspense that have made Michael Connelly "the hard-boiled fiction master of our time" (NPR), The Night Fire continues the unofficial partnership of two fierce detectives determined not to let the fire with burn out.
For maverick LAPD homicide detective Harry Bosch, the body in the drainpipe at Mulholland Dam is more than another anonymous statistic. This one is personal . . . because the murdered man was a fellow Vietnam "tunnel rat" who had fought side by side with him in a hellish underground war. Now Bosch is about to relive the horror of Nam. From a dangerous maze of blind alleys to a daring criminal heist beneath the city, his survival instincts will once again be tested to their limit. Pitted against enemies inside his own department and forced to make the agonizing choice between justice and vengeance, Bosch goes on the hunt for a killer whose true face will shock him.
Defense attorney Mickey Haller is forced to bend the law until it breaks when he is hired to defend a man accused of killing a prostitute in this novel of courtroom suspense, the "best one yet" (The Washington Post). Mickey Haller gets the text, "Call me ASAP - 187," and the California penal code for murder immediately gets his attention. Murder cases have the highest stakes and the biggest paydays, and they always mean Haller has to be at the top of his game.
When Mickey learns that the victim was his own former client, a prostitute he thought he had rescued and put on the straight and narrow path, he knows he is on the hook for this one. He soon finds out that she was back in LA and back in the life. Far from saving her, Mickey may have been the one who put her in danger.
Haunted by the ghosts of his past, Mickey must work tirelessly and bring all his skill to bear on a case that could mean his ultimate redemption or proof of his ultimate guilt. The Gods of Guilt shows once again why "Michael Connelly excels, easily surpassing John Grisham in the building of courtroom suspense" (Los Angeles Times).
After taking on a foreclosure case, defense attorney Mickey Haller must prove his client's innocence -- but first he must follow a trail of black market evidence to its sinister end. Mickey Haller has fallen on tough times. He expands his business into foreclosure defense, only to see one of his clients accused of killing the banker she blames for trying to take away her home.
Mickey puts his team into high gear to exonerate Lisa Trammel, even though the evidence and his own suspicions tell him his client is guilty. Soon after he learns that the victim had black market dealings of his own, Haller is assaulted, too -- and he's certain he's on the right trail.
Despite the danger and uncertainty, Haller mounts the best defense of his career in a trial where the last surprise comes after the verdict is in. Connelly proves again why he "may very well be the best novelist working in the United States today" (San Francisco Chronicle).
Defense attorney Mickey Haller and Detective Harry Bosch must either work together or die as they investigate a Hollywood lawyer's murder in this "epic page-turner" (Library Journal). Things are finally looking up for defense attorney Mickey Haller. After two years of wrong turns, Haller is back in the courtroom. When Hollywood lawyer Jerry Vincent is murdered, Haller inherits his biggest case yet: the defense of Walter Elliott, a prominent studio executive accused of murdering his wife and her lover. But as Haller prepares for the case that could launch him into the big time, he learns that Vincent's killer may be coming for him next.
Enter Harry Bosch. Determined to find Vincent's killer, he is not opposed to using Haller as bait. But as danger mounts and the stakes rise, these two loners realize their only choice is to work together.
Working the case, LAPD detective Harry Bosch is reminded of the primal police rule he learned long ago: Don't look for the facts, but the glue that holds them together. Soon Harry's making some very dangerous connections, starting with a dead cop and leading to a bloody string of murders that wind from Hollywood Boulevard to the back alleys south of the border. Now this battle-scarred veteran will find himself in the center of a complex and deadly game—one in which he may be the next and likeliest victim.