Jose Saramago

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About Jose Saramago
JOSE SARAMAGO is one of the most acclaimed writers in the world today. He is the author of numerous novels, including All the Names, Blindness, and The Cave. In 1998 he was awarded the Nobel Prize for Literature.
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Titles By Jose Saramago
An International Bestseller • "This is a shattering work by a literary master.”—Boston Globe
A city is hit by an epidemic of "white blindness" which spares no one. Authorities confine the blind to an empty mental hospital, but there the criminal element holds everyone captive, stealing food rations and raping women. There is one eyewitness to this nightmare who guides seven strangers—among them a boy with no mother, a girl with dark glasses, a dog of tears—through the barren streets, and the procession becomes as uncanny as the surroundings are harrowing. A magnificent parable of loss and disorientation, Blindness has swept the reading public with its powerful portrayal of our worst appetites and weaknesses—and humanity's ultimately exhilarating spirit.
"This is a an important book, one that is unafraid to face all of the horror of the century."—Washington Post
A New York Times Notable Book of the Year
A Los Angeles Times Best Book of the Year
A Washington Post Book World Favorite Book of the Year
Senhor José is a low-grade clerk in the city’s Central Registry, where the living and the dead share the same shelf space. A middle-aged bachelor, he has no interest in anything beyond the certificates of birth, marriage, divorce, and death that are his daily routine. But one day, when he comes across the records of an anonymous young woman, something happens to him. Obsessed, Senhor José sets off to follow the thread that may lead him to the woman—but as he gets closer, he discovers more about her, and about himself, than he would ever have wished. The loneliness of people’s lives, the effects of chance, the discovery of love—all coalesce in this extraordinary novel that displays the power and art of José Saramago in brilliant form.
In 1551, King João III of Portugal gave Archduke Maximilian an unusual wedding present: an elephant named Solomon. In The Elephant’s Journey, José Saramago imagines Solomon’s epic journey by foot across Europe with his Hindu keeper Subhro along for the adventure.
Accompanied by the Archduke, his new wife, and the royal guard, these unlikely heroes traverse a continent riven by the Reformation and civil wars. They are witnessed by scholars, historians, and wide-eyed ordinary people as they make their way through the storied cities of northern Italy, brave the Alps, cross the Mediterranean Sea, and at last, make their way toward their grand entry into the imperial city.
“A tale rich in irony and empathy, regularly interrupted by witty reflections on human nature and arch commentary on the powerful who insult human dignity.”—Los Angeles TimesThe denizens of a rundown building in 1940s Lisbon come to sparkling life in this lost early novel by the Nobel Prize-winning author of Blindness.
The renowned Portuguese author Jose Saramago was at the beginning of his career when he submitted his novel Skylight for publication in 1953. It then sat lost among stacks of manuscripts for thirty-six years. Published posthumously according to Saramago’s wishes, the world can finally enjoy this “fascinating and startlingly mature work” set in 1940’s Lisbon (Boston Globe).
The inhabitants of a faded apartment building are struggling to make ends meet: Silvio the cobbler and his wife take in a disaffected young lodger; Dona Lídia, a retired prostitute, is kept by a businessman with a roving eye. Humble salesman Emilio’s Spanish wife is in a permanent rage; beautiful Claudinha’s boss lusts for her; Justina and her womanizer husband live at war with each other.
Happy marriages, abusive relationships, jealousy, gossip, love—Skylight is a portrait of ordinary people painted by the master of the quotidian, a great observer of the immense beauty and profound hardship of the modern world.
“There is no shortage of wonders to be found in [Skylight].” —Washington Post
On the first day of the new year, no one dies. This of course causes consternation among politicians, religious leaders, morticians, and doctors. Among the general public, on the other hand, there is initially celebration—flags are hung out on balconies, people dance in the streets. They have achieved the great goal of humanity: eternal life.
Then reality hits home—families are left to care for the permanently dying, life-insurance policies become meaningless, and funeral parlors are reduced to arranging burials for pet dogs, cats, hamsters, and parrots. Death sits in her chilly apartment, where she lives alone with scythe and filing cabinets, and contemplates her experiment: What if no one ever died again? What if she, death with a small d, were to become human and fall in love?
“This novel has many pleasures.”—The New York Times
“Arguably the greatest writer of our time.”—Chicago Tribune
Portugal, 1711. The Portuguese king promises the greedy prelates of the Church an expansive new convent, should they intercede with God to give him an heir. A lonely priest works in maniacal solitude on his Passarola, a heretical flying machine he hopes will allow him to soar far from the madness surrounding him. A young couple, brought together by chance, live out a sweet, if tormented, romance. Meanwhile, amid the fires and horrors of the Inquisition, angry crowds and abused peasants rejoice in spectacles of cruelty, from bullfighting to auto-da-fe; disgraced priests openly flout God’s laws; and chaos reigns over a society on the brink of disaster.
Weaving together multiple storylines to present both breathtaking fiction and incisive commentary, renowned Portuguese writer and winner of the 1998 Nobel Prize in Literature, José Saramago spins an epic and captivating yarn, equal parts historical fiction, political satire, religious criticism, and whimsical romance. Hailed by USA Today as “an unexpected gem,” Baltasar and Blimunda is a captivating literary tour de force, full of magic and adventure, exquisite historical detail, and the power of both human folly and human will.
The year is 1936, and the dictator António de Oliveira Salazar is establishing himself in Portugal, edging his country toward civil war. At the same time, Dr. Ricardo Reis has returned home to Lisbon after a long sojourn in Brazil. What’s brought him back is word that the great poet, Fernando Pessoa, has died. With no intention of resuming his practice, Reis now dabbles in his own poetry, wastes his days strolling the boulevards and back streets, engages in affairs with two different women—and is followed through each excursion by Pessoa’s ghost.
As a fascist revolution roils, and as Reis’s path intersects with three relative strangers—two living, one dead—Reis may finally discover the reality of his own chimerical existence.
“A rich story about human relationships and dreams.”—The New York Times
Called “a magnificent tour-de-force, perhaps one of the best novels published in Europe since World War II” (The Bloomsbury Review) and “altogether remarkable” (The Wall Street Journal), The Year of the Death of Ricardo Reis is a PEN Award winner and stands among the finest works by the author of Blindness.
Translated by Giovanni Pontiero
2022: AÑO SARAMAGO
Una novela y un autor que nos alertan sobre «la responsabilidad de tener ojos cuando otros los perdieron».
«Dentro de nosotros hay algo que no tiene nombre, esa cosa es lo que somos».
Un hombre parado ante un semáforo en rojo se queda ciego súbitamente. Es el primer caso de una «ceguera blanca» que se expande de manera fulminante. Internados en cuarentena o perdidos en la ciudad, los ciegos tendrán que enfrentarse con lo más primitivo en la naturaleza humana: la voluntad de sobrevivir a cualquier precio.
Ensayo sobre la ceguera es la ficción de un autor que nos alerta sobre «la responsabilidad de tener ojos cuando otros los perdieron». José Saramago traza en este libro una imagen aterradora y conmovedora de los tiempos que estamos viviendo. En un mundo así, ¿cabrá alguna esperanza?
El lector conocerá una experiencia imaginativa única. En un punto donde se cruzan literatura y sabiduría, José Saramago nos obliga a parar, cerrar los ojos y ver. Recuperar la lucidez y rescatar el afecto son dos propuestas fundamentales de una novela que es, también, una reflexión sobre la ética del amor y la solidaridad.
La crítica ha dicho:
«Una metáfora que, cuando se publicó, lo mismo podía valer para el sida que para el abandono de los mayores. En esta novela, la ceguera llega sin avisar y produce un deslumbramiento blanco permanente. De nuevo, desfilan lo mejor y lo peor de la especie. Como en las guerras».
Tereixa Constenla, El País
«Saramago siempre ha demostrado una imaginación audaz como novelista. Ésta es su obra más sorprendente e inquietante».
Harold Bloom
«No hay cinismo ni moraleja, sólo un reconocimiento lúcido y compasivo de las cosas tal como son, una cualidad que sólo puede calificarse honestamente como sabiduría».
The New York Times
«Hay novelas, como ésta, que después de leídas continuarán iluminando túneles en la conciencia, abriendo puertas de habitaciones a las que no nos habíamos asomado pese a estar dentro de nosotros».
Juan José Millás
«Saramago vuelve comprensible una realidad huidiza, con parábolas sostenidas por la imaginación, la compasión y la ironía».
Comité Nobel
«Un hombre con una sensibilidad y una capacidad de ver y de entender que están muy por encima de lo que en general vemos y entendemos los comunes mortales».
Héctor Abad Faciolince
«Saramago es un ejemplo, un estilo dignísimo de vida y literatura, que demuestra la posibilidad de navegar a contracorriente [...]. Su palabra tiene el valor de un anticongelante, de un remedio personal contra los vendavales de cinismo que nos envuelven».
Luis García Montero
«Yo no sé, ni quiero saberlo, de dónde ha sacado Saramago ese diabólico tono narrativo, duro y piadoso a un tiempo, [...] que le permite contar tan cerca del corazón y a la vez tan cerca de la historia».
Luis Landero
«Saramago escribe novelas sobre los mitos para desmitificarlos, [...
A Los Angeles Times Best Book of the Year and a New York Times Notable Book
Cipriano Algor, an elderly potter, lives with his daughter Marta and her husband Marçal in a small village on the outskirts of The Center, an imposing complex of shops, apartments, and offices. Marçal works there as a security guard, and Cipriano drives him to work each day before delivering his own humble pots and jugs. On one such trip, he is told not to make any more deliveries. People prefer plastic, apparently.
Unwilling to give up his craft, Cipriano tries his hand at making ceramic dolls. Astonishingly, The Center places an order for hundreds, and Cipriano and Marta set to work—until the order is cancelled and the penniless trio must move from the village into The Center. When mysterious sounds of digging emerge from beneath their new apartment, Cipriano and Marçal investigate; what they find transforms the family’s life, in a novel that is both “irrepressibly funny” (The Christian Science Monitor) and a “triumph” (The Washington Post Book World).
“The struggle of the individual against bureaucracy and anonymity is one of the great subjects of modern literature, and Saramago is often matched with Kafka as one of its premier exponents. Apt as the comparison is, it doesn’t convey the warmth and rueful human dimension of novels like Blindness and All the Names. Those qualities are particularly evident in his latest brilliant, dark allegory, which links the encroaching sterility of modern life to the parable of Plato’s cave . . . [a] remarkably generous and eloquent novel.” —Publishers Weekly
Translated from the Portuguese by Margaret Jull Costa
In 1979, José Saramago decided to write a book called Journey to Portugal—and dedicated himself to obtaining the fullest meaning of his title. More than merely journeying in or through his native country, he wanted to achieve a deep encounter with it, foregoing the conventional assumptions and the routines of tourist guides. Instead, he scoured the country with the eyes and ears of an observer fascinated by the ancient myths and history of his people.
Recording his experiences and observations across the length and breadth of Portugal, Saramago brings the country to life as only a writer of his brilliance can. Whether an inaccessible medieval fortress set on a cliff, a wayside chapel thick with cobwebs, or a grand mansion in the city, the extraordinary places of this land come alive with kings, warriors, painters, explorers, writers, saints, and sinners.
Infused with the tenderness and intelligence that have become familiar to his readers, Saramago's Journey to Portugal is an ode of love for a country and its rich traditions.
A strange protest triggers a descent into paranoia and chaos in this “illuminating parable”—a sequel to the Nobel Prize-winning author’s Blindness (Ursula K. Le Guin, The Guardian, UK).
On election day in the capital, it is raining so hard that no one has bothered to come out to vote. The politicians are growing jittery. Should they reschedule the elections for another day? Around three o’clock, the rain finally stops. Voters promptly rush to the polling stations, as if they had been ordered to appear. But when the ballots are counted, more than 70 percent are blank.
In response to this mass act of rebellion, a state of emergency is declared. But are the authorities acting blindly? The word evokes terrible memories of the plague of blindness that hit the city four years before, and of the one woman who kept her sight. Perhaps she is the one behind the blank ballots. A police superintendent is put on the case.
What begins as a satire on governments and the dubious efficacy of the democratic system turns into something far more sinister. As the story unfolds, “the humor is still tender but the tone darkens, tension rises” (Ursula K. Le Guin, The Guardian, UK).As this novel by the author of Blindness and All the Names begins, Tertuliano Máximo Afonso is a divorced, depressed history teacher. To lift his spirits, a colleague suggests he rent a certain video. Tertuliano watches the film, unimpressed. But during the night, when he is awakened by noise, he finds the VCR replaying the video and watches in astonishment as a man who looks exactly like him—or, more specifically, exactly like he did five years earlier, mustachioed and fuller in the face—appears on the screen.
Against his own better judgment, Tertuliano decides to pursue his double. As he roots out the man’s identity, what begins as a whimsical chase becomes a probing investigation into what makes us human. Can we be reduced to our outward appearance, rather than the sum of our experiences?
The inspiration for the film Enemy starring Jake Gyllenhaal and directed by Denis Villeneuve, The Double is a timeless novel from a writer John Updike described in The New Yorker as “like Faulkner, so confident of his resources and ultimate destination that he can bring any impossibility to life by hurling words at it.”
“It’s tempting to think of [The Double] as his masterpiece.” —The New York Times
Translated from the Portuguese by Margaret Jull Costa
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