James Joyce

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About James Joyce
James Augustine Aloysius Joyce (2 February 1882 – 13 January 1941) was an Irish novelist and poet. He contributed to the modernist avant-garde and is regarded as one of the most influential and important authors of the 20th century.
Joyce is best known for Ulysses (1922), a landmark work in which the episodes of Homer's Odyssey are paralleled in an array of contrasting literary styles, perhaps most prominent among these the stream of consciousness technique he utilised. Other well-known works are the short-story collection Dubliners (1914), and the novels A Portrait of the Artist as a Young Man (1916) and Finnegans Wake (1939). His other writings include three books of poetry, a play, occasional journalism and his published letters.
Joyce was born in 41 Brighton Square, Rathgar, Dublin—about half a mile from his mother's birthplace in Terenure—into a middle-class family on the way down. A brilliant student, he excelled at the Jesuit schools Clongowes and Belvedere, despite the chaotic family life imposed by his father's alcoholism and unpredictable finances. He went on to attend University College Dublin.
In 1904, in his early twenties, Joyce emigrated permanently to continental Europe with his partner (and later wife) Nora Barnacle. They lived in Trieste, Paris and Zurich. Though most of his adult life was spent abroad, Joyce's fictional universe centres on Dublin, and is populated largely by characters who closely resemble family members, enemies and friends from his time there. Ulysses in particular is set with precision in the streets and alleyways of the city. Shortly after the publication of Ulysses, he elucidated this preoccupation somewhat, saying, "For myself, I always write about Dublin, because if I can get to the heart of Dublin I can get to the heart of all the cities of the world. In the particular is contained the universal."
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Titles By James Joyce
Jerome, Jerome K.: Three Men in a Boat
Joyce, James: A Portrait of the Artist as a Young Man
Joyce, James: Ulysses
Kingsley, Charles: The Water-Babies
Kipling, Rudyard: Kim
La Fayette, Madame de: The Princess of Clèves
Laclos, Pierre Choderlos de: Dangerous Liaisons
Lawrence, D. H.: Sons and Lovers
Lawrence, D. H.: The Rainbow
Le Fanu, Sheridan: In a Glass Darkly
Lewis, Matthew Gregory: The Monk
Lewis, Sinclair: Main Street
London, Jack: The Call of the Wild
Lovecraft, H.P.: At the Mountains of Madness
Mann, Thomas: Royal Highness
Maugham, William Somerset: Of Human Bondage
Maupassant, Guy de: Bel-Ami
Melville, Herman: Moby-Dick
Poe, Edgar Allan: The Fall of the House of Usher
Proust, Marcel: Swann's Way
Radcliffe, Ann: The Mysteries of Udolpho
Richardson, Samuel: Clarissa
Sand, George: The Devil’s Pool
Scott, Walter: Ivanhoe
Shelley, Mary: Frankenstein
Sienkiewicz, Henryk: Quo Vadis
Sinclair, May: Life and Death of Harriett Frean
Sinclair, Upton: The Jungle
Stendhal: The Red and the Black
Stendhal: The Chartreuse of Parma
Sterne, Laurence: Tristram Shandy
Stevenson, Robert Louis: Treasure Island
Stoker, Bram: Dracula
Stowe, Harriet Beecher: Uncle Tom’s Cabin
Swift, Jonathan: Gulliver's Travels
Tagore, Rabindranath: The Home and the World
Thackeray, William Makepeace: Vanity Fair
Tolstoy, Leo: War and Peace
Tolstoy, Leo: Anna Karenina
Trollope, Anthony: The Way We Live Now
Turgenev, Ivan: Fathers and Sons
Twain, Mark: The Adventures of Huckleberry Finn
Verne, Jules: Journey to the Center of the Earth
Wallace, Lew: Ben-Hur
Wells, H. G.: The Time Machine
West, Rebecca: The Return of the Soldier
Wharton, Edith: The Age of Innocence
Wilde, Oscar: The Picture of Dorian Gray
Xueqin, Cao: The Dream of the Red Chamber
Zola, Émile: Germinal
William Blake saw the universe in a grain of sand. Joyce saw it in Dublin, Ireland, on June 16, 1904, a day distinguished by its utter normality. Two characters, Stephen Dedalus and Leopold Bloom, go about their separate business, crossing paths with a gallery of indelible Dubliners. We watch them teach, eat, stroll the streets, argue, and (in Bloom’s case) masturbate. And thanks to the book’s stream-of-consciousness technique — which suggests no mere stream but an impossibly deep, swift-running river — we’re privy to their thoughts, emotions, and memories. The result? Almost every variety of human experience is crammed into the accordian folds of a single day, which makes Ulysses not just an experimental work but the very last word in realism.
I hold this book to be the most important expression which the present age has found; it is a book to which we are all indebted, and from which none of us can escape. —T. S. Eliot
What is so staggering about “Ulysses” is the fact that behind a thousand veils nothing lies hidden; that it turns neither toward the mind nor toward the world, but, as cold as the moon looking on from cosmic space, allows the drama of growth, being, and decay to pursue its course. —Carl Jung
The greatest novel of the 20th century. —Anthony Burgess
“Ulysses” is extraordinarily interesting to those who have patience (and they need it). —John Middleton Murry
It is difficult not to acclaim a masterpiece. —Virginia Woolf
With a new Introduction by Cedric Watts, Research Professor of English, University of Sussex.
James Joyce's astonishing masterpiece, Ulysses, tells of the diverse events which befall Leopold Bloom and Stephen Dedalus in Dublin on 16 June 1904, during which Bloom's voluptuous wife, Molly, commits adultery.
Initially deemed obscene in England and the USA, this richly-allusive novel, revolutionary in its Modernistic experimentalism, was hailed as a work of genius by W. B. Yeats, T. S. Eliot and Ernest Hemingway.
Scandalously frank, wittily erudite, mercurially eloquent, resourcefully comic and generously humane, Ulysses offers the reader a life-changing experience.
This edition has been professionally formatted and contains several tables of contents. The first table of contents (at the very beginning of the ebook) lists the titles of all novels included in this volume. By clicking on one of those titles you will be redirected to the beginning of that work, where you'll find a new TOC that lists all the chapters and sub-chapters of that specific work.
A lively repository of literary allusion and colloquial realism, this dazzlingly innovative, ambitious novel is here presented in its 1939 Odyssey Press version, which is regarded as the most accurate text published in Joyce’s lifetime. This edition also includes over 9,000 notes by Joyce scholars Sam Slote, Marc A. Mamigonian and John Turner.
Alma Classics Evergreens is a series of popular classics. All the titles in the series are provided with an extensive critical apparatus and extra reading material, including a section of photographs and notes. The texts are based on the most authoritative edition (or collated from the most authoritative editions or manuscripts) and edited using a fresh, intelligent editorial approach. With an emphasis on the production, editorial and typographical values of a book, Alma Classics aspires to revitalize the whole experience of reading the classics.
James Joyce's supremely innovative fictional autobiography is also, in the apt phrase of the biographer Richard Ellmann, nothing less than "the gestation of a soul." For as he describes the shabby, cloying, and sometimes terrifying Dublin upbringing of his alter ego, Stephen Dedalus, Joyce immerses the reader in his emerging consciousness, employing language that ranges from baby talk to hellfire sermon to a triumphant artist's manifesto. The result is a novel of immense boldness, eloquence, and energy, a work that inaugurated a literary revolution and has become a model for the portrayal of the self in our time.
A shocking confession from his wife prompts Gabriel to reconsider what he knows and understands of his wife and their shared past, whether it is better to die young, and what will be remembered of him when he is gone.
Critically acclaimed author James Joyce’s Dubliners is a collection of short stories depicting middle class life in Dublin in the early twentieth century. First published in 1914, the stories draw on themes relevant to the time such as nationalism and Ireland’s national identity, and cement Joyce’s reputation for brutally honest and revealing depictions of everyday Irish life. At the heart of each story is a character’s moment of self-realization which serve to further heighten our understanding of life in James Joyce’s Dublin.
HarperCollins brings great works of literature to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperCollins short-stories collection to build your digital library.
Jerome, Jerome K.: Three Men in a Boat
Joyce, James: A Portrait of the Artist as a Young Man
Joyce, James: Ulysses
Kingsley, Charles: The Water-Babies
Kipling, Rudyard: Kim
La Fayette, Madame de: The Princess of Clèves
Laclos, Pierre Choderlos de: Dangerous Liaisons
Lawrence, D. H.: Sons and Lovers
Lawrence, D. H.: The Rainbow
Le Fanu, Sheridan: In a Glass Darkly
Lewis, Matthew Gregory: The Monk
Lewis, Sinclair: Main Street
London, Jack: The Call of the Wild
Lovecraft, H.P.: At the Mountains of Madness
Mann, Thomas: Royal Highness
Maugham, William Somerset: Of Human Bondage
Maupassant, Guy de: Bel-Ami
Melville, Herman: Moby-Dick
Poe, Edgar Allan: The Fall of the House of Usher
Proust, Marcel: Swann's Way
Radcliffe, Ann: The Mysteries of Udolpho
Richardson, Samuel: Clarissa
Sand, George: The Devil’s Pool
Scott, Walter: Ivanhoe
Shelley, Mary: Frankenstein
Sienkiewicz, Henryk: Quo Vadis
Sinclair, May: Life and Death of Harriett Frean
Sinclair, Upton: The Jungle
Stendhal: The Red and the Black
Stendhal: The Chartreuse of Parma
Sterne, Laurence: Tristram Shandy
Stevenson, Robert Louis: Treasure Island
Stoker, Bram: Dracula
Stowe, Harriet Beecher: Uncle Tom’s Cabin
Swift, Jonathan: Gulliver's Travels
Tagore, Rabindranath: The Home and the World
Thackeray, William Makepeace: Vanity Fair
Tolstoy, Leo: War and Peace
Tolstoy, Leo: Anna Karenina
Trollope, Anthony: The Way We Live Now
Turgenev, Ivan: Fathers and Sons
Twain, Mark: The Adventures of Huckleberry Finn
Verne, Jules: Journey to the Center of the Earth
Wallace, Lew: Ben-Hur
Wells, H. G.: The Time Machine
West, Rebecca: The Return of the Soldier
Wharton, Edith: The Age of Innocence
Wilde, Oscar: The Picture of Dorian Gray
Xueqin, Cao: The Dream of the Red Chamber
Zola, Émile: Germinal
The neo-figurative artist Eduardo Arroyo (1937–2018), regarded today as one of the greatest Spanish painters of his generation, dreamed of illustrating James Joyce’s Ulysses. Although he began work on the project in 1989, it was never published during his lifetime: Stephen James Joyce, Joyce’s grandson and the infamously protective executor of his estate, refused to allow it, arguing that his grandfather would never have wanted the novel illustrated. In fact, a limited run appeared in 1935 with lithographs by Henri Matisse, which reportedly infuriated Joyce when he realized that Matisse, not having actually read the book, had merely depicted scenes from Homer’s Odyssey.
Now available for the first time in English, this unique edition of the classic novel features three hundred images created by Arroyo—vibrant, eclectic drawings, paintings, and collages that reflect and amplify the energy of Joyce’s writing.
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