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![Game of Snipers (Bob Lee Swagger) by [Stephen Hunter]](https://m.media-amazon.com/images/I/51yIptaa2vL._SY346_.jpg)
Game of Snipers (Bob Lee Swagger) Kindle Edition
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"Bob Lee Swagger is a true American literary icon."--Mark Greaney, New York Times Bestselling Author of Mission Critical
In this blazing new thriller from Pulitzer Prize winner Stephen Hunter, master sniper Bob Lee Swagger takes on his biggest job to date...and confronts an assassin with skills that match his own.
When Bob Lee Swagger is approached by a woman who lost a son to war and has spent the years since risking all that she has to find the sniper who pulled the trigger, he knows right away he'll do everything in his power to help her. But what begins as a favor becomes an obsession, and soon Swagger is back in the action, teaming up with the Mossad, the FBI, and local American law enforcement as he tracks a sniper who is his own equal...and attempts to decipher that assassin's ultimate target before it's too late.
With all-too-real threats and a twisty, masterful storytelling, Game of Snipers is another gripping addition to a bestselling Bob Lee Swagger series.
- LanguageEnglish
- PublisherG.P. Putnam's Sons
- Publication dateJuly 30, 2019
- File size3044 KB
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Editorial Reviews
Review
“As always, Hunter's knowledge of rifles and ammunition is central to the story, but it's his narrative skill and grasp of character that give this series its reach well beyond "gun nuts": the depth to the supporting characters is particularly notable here, especially Janet and Juba himself.”—Booklist (starred review)
“The author is a Pulitzer Prize-winning film critic who knows how to tell a crackling good story. Fast-moving, violent, and entertaining, this is genuine good-guy-versus-bad-guy stuff.”—Kirkus Reviews
“Stephen Hunter brought his A-game in a big way here...Game of Snipers is one of the hottest books hitting store shelves this summer.”—The Real Book Spy
“Game of Snipers is a wonderfully written and plotted thriller that I could not put down! Bob Lee Swagger is a true American literary icon and Stephen Hunter somehow continues to bang out one action-packed masterpiece after the next. If you haven't checked in with Bob Lee in awhile, read this book, and you'll see that he's still the man.”—Mark Greaney, bestselling author of Mission Critical
“Game of Snipers is Stephen Hunter at his best! As someone who has spent time behind the glass, Hunter gets it right! A true master at the pinnacle of his craft. No one does it better!”—Jack Carr, Former Navy SEAL Sniper and Author of The Terminal List and True Believer
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
1
Somewhere
The present
He saw Katie amid the prairie flowers. She sat, legs crossed, while the wind played with her hair, and it gleamed in the sun. She smiled brightly. She always smiled. Four years old was the age of smiles. She looked so happy, and around her the grass fluttered in the breeze, and it must have pleased her, for she turned to face it, tilting her little nose up.
"Katie!" he called. "Katie, sweetie . . . Katie!"
She turned to his voice, and her blue eyes lit with love.
"Daddy," she called. "Hi, Daddy!"
"Sweetie, IÕm coming," Paul yelled, and lunged to run to her, to hold her tight, to smother her in his arms and protect her from all. ItÕs what a father did.
But he could not make it.
He was handcuffed to a post. The sharpness of metal pulled hard against his wrists.
"Katie, I-"
"Daddy, I have to go."
"No, Katie, no. IÕll be right there."
But his wrists would not yield, and though he yanked hard enough to draw blood from his flesh, the cuffs would not give.
"Bye, Daddy," said Katie, as she rose to run away. "I love you."
And then she was gone, and he was aware that he was awake. Dream finished, he was awake. But the odd thing was that the binding of his wrists was no dream, and he yanked hard, the steel biting. He could feel a solid post threaded through his bound arms, mooring him upright as solidly as Joan of Arc had been for the fire.
He blinked, it did not go away.
Other oddities revealed themselves. For one, a gentle wind pushed the smell of prairie grass against his nostrils, and, two, he felt the radiance of a sun above him, welcoming him-or damning him-to wakefulness.
He did not smell his own piss and vomit. He did not feel the crusty ripple of long-uncleaned skin. He hadnÕt shit his pants, or if he had, someone had cleaned up the mess for him.
He wasnÕt wearing that pair of ragged chinos, fifteen years old, filched from some garbage can, or that old pair of Adidas, two sizes too big. He was in turquoise surgical scrubs and white socks.
Paul blinked himself more fully awake, opened his eyes fully, waited for them to focus, and examined the world in which he now found himself.
It was not the world he had left, which was the alley behind restaurant row, where he had unreliable memories of the effects of muscatel and methamphetamine, of his surrender to unconsciousness behind a dumpster a half block down from that Mexican restaurant in the alley where all the normals came to eat and drink and laugh every night and from whom he could occasionally cadge a buck or even a five-spot.
Where had it gone? What was happening?
Did I die? Am I in Heaven?
No, it was not Heaven, but it was definitely outside.
He saw grass, lots of it. The world was well lit. Details, vistas, landscapes dialed into focus. He saw vastness, mountains, pines. He saw a huge dome of sky, tendrils of wispy clouds spread across it, a sun that could have been hotter but not clearer, and green, green, everywhere, as he was confined to the floor of a valley that was bordered by forest, its pines rolling away to infinity mostly.
Confusion, not an unknown condition, took over his already murky mind, though for once, at least, the voices were quiet. He looked for human beings of any sort and soon saw them. A good fifty yards away, three men sat on deck chairs, coolly appraising him. One was holding a cell phone to his ear, talking to someone.
"Hey!" he called. "What is this? Who are you? Where am I?"
They did not respond to his calls, though the one on the phone glanced at him, then went back to his animated conversation.
More details: they seemed Mexican, from their hair (long) and wardrobe (cowboy hats, jeans, boots). Sunglasses, a certain macho languor in body postures of amused relaxation. Was he in Mexico?
Oddest detail of all: standing apart from the crew was a man in black. That is, all in black, from the toes of his boots to the crown of his hat, including a black mask that covered his face, with slits for his dark eyes. Of them all, only this one was watching Paul.
Paul tried to assemble a series of steps by which he somehow ended up chained to a post in Mexico, cleaned up to some degree and placed before the world like a specimen. But rigor was long missing from the working of his mind, and nothing made any sense. His will crumpled against the effort. He wanted a drink, he ached for the blur and smear of the muscatel that drove his furies away, at least temporarily.
He went dizzy, leaned against the post to utilize its support. That small effort exhausted him. He breathed heavily, already in oxygen debt.
"Help me please," he shouted.
But now the postures of the Mexican steering committee had changed. The one on the phone seemed to be in charge, and he commanded the attention of the others. They joined the man in black in directing attention toward him, but not in empathy.
The moment seemed to elongate until it fell out of time. He heard an odd noise, not a blast or a burst, no sharpness to it, but it still carried sensations of destruction to it, as if something had struck in near silence against the earth itself. Immediately, the man on the phone began to speak.
Paul turned. About twenty-five yards out, a cloud of dust-debris from some sort of explosion, by the conical shape of it-hung gracelessly above the folds of scrub prairie, but was disorganizing in the breeze.
Again, he had no framework into which he could fit this puzzling event. It was just there, defying his attempts to classify and respond.
In the next second, another eruption occurred. The earth itself expressed the tremor of the released energy as a geyser suddenly spurted at the speed of light, easily ten feet of supersonic dust and dirt, roiling, climbing, disassembling in the breeze. It was much closer, and Paul felt the sting of pellet and grit.
He tried to place it, again seeking context, and rifled through the crazed index of his memories to find something and came to the conclusion that these were bullets striking the earth, delivering a violence of energy and purpose. HeÕd seen it in the movies a thousand times-at least, when he went to movies.
The ground beneath him shattered. He was smashed hard into the post by unseen energy, as the cuffs twisted and sliced his wrists. He tasted blood and copper in his saliva, and after a secondÕs numb mercy, sharp pains began to clamor for attention, announcing the presence against his body of shards of debris, flung stones, supersonic grit.
He realized now: someone was shooting at him from a long way away.
The panic of the prey flooded his brain, and he tore away, only to have his motion halted by the cuffs.
"No," he shouted. "You canÕt do this. This isnÕt right," he screamed, but involuntarily began to sob.
They laughed. It was pretty funny.
"Katie," he screamed. "Forgive me! Forgive Daddy! Please."
He entered the light.
2
The ranch, Cascade, Idaho
What was there to complain about? The view from the rocker was superb, prairie meadows giving way in the distance to the mountains, snowcapped (as was he) and remote (as was he), been there forever (as had he). He owned everything he could see except for the mountains (ownership: God). The late-spring climate temperate, the sun not so strong, the breeze mild. Children successful. Wife content, as much as any wife could be. He just kept getting richer, not of his own volition but by the working of certain mechanisms. Health fine, even superb. The new hip (number three) felt great, his ticker still ticked. Horses-too many, all sinewy beasts with plenty of go in them. His guns? Some new ones, in fascinating calibers, maybe a new sniper round to test out, called 6.5 Creedmoor, which promised lots of amusement of the dry, technical sort he so enjoyed. Friends-more than he deserved, and in places he never thought heÕd go, from NRA celebs to old snipers to a few journalists, to a lot of big-animal vets across seven states, plus dozens of former marine NCOs, as salty a crew as could be imagined. Pickup trucks? Could only drive one at a time, so what was the point in having any more?
I have everything, he thought.
His late self-education was progressing in his leisure. He was on to Crimea now, trying to imagine battles under gunpowder clouds so vast and brutal that no one could see their limits, the wounds nasty and greenish, headed into gangrene, toward, ultimately, amputation without anesthetic save whiskey. As a man whose life had been saved several times-and he had the scars to prove it-by modern emergency medicine, this fact alone sent a tremor of dread down his straight old spine. Everything was fine.
He knew it couldnÕt last.
It didnÕt.
It was the lowest category of rental car, in a shade of Day-Glo otherwise found no place on earth, pulling up the long road in from Idaho 82. It had to mean some sort of trouble, because friends never came without a call first, and not one of them would travel under such brightness. No mailbox shouted swagger to the world at the otherwise unmarked gate, and the size and beauty of the house was not manifest from the highway: the road could have just as easily led to a broken-down trailer or a complex of heavily armed religious zealots or some other monstrosity that had taken root in IdahoÕs free soil.
He touched the .38 Super Commander holstered under the tail of his T-shirt, found it secure yet accessible in a second, though that was mere habit, as the arrival of a nuclear airburst fuchsia Tempo or Prism hardly presaged a gunfight. Actually, he would have preferred a gunfight.
The car pulled up, and he rose, and he was not astonished but mildly nonplussed by the driver, who got out and faced him. Woman. Fifties, maybe early sixties. Pantsuit, makeup, and the ubiquitous high-end sneakers that most American women wore most places these days. Her smile was tentative, not practiced and professional. Her face was slightly out of symmetry, as if parted and rejoined inadequately, but no scars showed. It was just an oddness of cast that suggested complexities. He couldnÕt help picking up a note of forlorn loss, however, when he added it all up. Something damaged about poor whoever-she-was.
"MaÕam," he called. "Just so you know: this is private property, and IÕm not what youÕd call a public fellow. If youÕre selling, IÕm not buying. If youÕre interviewing, IÕm not talking. And if youÕre campaigning, I donÕt vote. But if youÕre lost, I will happily give you directions, and a glass of water."
"IÕm not lost, Mr. Swagger-Sergeant Swagger. It took me days to find out where you lived. I know you donÕt like interruptions, and thereÕs no reason you should, but I would claim the right to a hearing because of the circumstances."
"Well-" he said, thinking, Oh, Lord, what now?
"My son. Lance Corporal Thomas McDowell, sniper, 3/8. Baghdad, 2003. Came back to me in a box."
They sat in silence on the porch for a bit. He didnÕt know what he could say, because of course there is nothing that can be said. He knew enough of grief to know that only time eats it down, and sometimes not even that, and death is the only ultimate release. So, it would be her show, and she seemed to need some time to gather.
Finally, she said, "It seems very pretty here."
"I like to sit a couple of hours each day. Just watch the weather and the grass change. Sometimes a batch of antelope wander by, sometimes a few mulies-a buck and his gals. Once a bull elk, magnificent rack, but they seem not much in evidence these days."
"YouÕre being very kind to me."
"ItÕs just my way."
"You think maybe I came for explanations. Context, history, the who, the why, the what, the physics of it. The ballistics. You would know such things."
"If it helps, IÕll sound off."
"IÕve learned a thing or two since the notification team knocked on the door. Seven-point-sixty-two by fifty-four, 160 grain. Classic Dragunov. Velocity about sixteen hundred feet per second by the time it reached him. Steel-cored, probably didnÕt distort or rupture. Went clean through. It would have been instant, IÕm told."
"Sounds about right."
"I should be grateful for that mercy, but donÕt look to me for grateful. Mom doesnÕt do grateful. Mom wants the man who pulled the trigger dead. ThatÕs what Mom wants."
He paused. That one was unexpected. Now, what the hell could he say?
"Mrs. McDowell, this ainÕt healthy. Not only because what you describe is murder, not war, not only because it could get you into a whole peck of trouble that would make where you are now seem like kindergarten, not only because no matter how it came out youÕd end up spending all your money-and I mean all of it-on lawyers and various other forms of predators, not only because itÕs probably not even possible, and, finally, if youÕre trying to get me to go on some kind of revenge safari for you, I am too old, at seventy-two, and lack any wherewithal for door-busting, stair-climbing, and the stalking part of sniping and would only get myself killed or arrested."
She nodded.
"That is entirely sensible," she said. "The people who would talk about Bob the Nailer said he was a decent man and would not steer me wrong, and he would give me solid advice. And, for the record, nobody in the marine community or the shooting community or the intelligence community-and I have entered them all-has encouraged me. They think itÕs crazy."
"I would not use such a harsh word. LetÕs leave it at Õbad idea.Õ "
"But-" she said.
"ThereÕs always a Õbut,Õ " he said.
"Yes, and hereÕs mine. You can say it was war, thatÕs all. He joined the Marine Corps of his own volition, he signed on to sniper school, he went to war willingly, he had a few kills of his own, and one night his number came up. Numbers come up, thatÕs what war is about. But IÕm not telling you anything you donÕt know. And the boy who pulled the trigger, the argument would run, he was just another boy like Tom, dancing to a politicianÕs tune for policy goals that never made any sense, and, just like Tom, heÕd rather have been at the mall or the movies, hanging out with girls, whatever. Is that it?"
--This text refers to the paperback edition.Product details
- ASIN : B07K5ZY6BQ
- Publisher : G.P. Putnam's Sons (July 30, 2019)
- Publication date : July 30, 2019
- Language : English
- File size : 3044 KB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Enabled
- Word Wise : Enabled
- Sticky notes : On Kindle Scribe
- Print length : 397 pages
- Best Sellers Rank: #42,307 in Kindle Store (See Top 100 in Kindle Store)
- #158 in Assassination Thrillers (Books)
- #191 in Assassination Thrillers (Kindle Store)
- #252 in Suspense Action Fiction
- Customer Reviews:
About the author

Stephen Hunter won the 2003 Pulitzer Prize for Criticism as well as the 1998 American Society of Newspaper Editors Award for Distinguished Writing in Criticism for his work as film critic at The Washington Post. He is the author of several bestselling novels, including Time to Hunt, Black Light, Point of Impact, and the New York Times bestsellers Havana, Pale Horse Coming, and Hot Springs. He lives in Baltimore.
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I would have enjoyed the novel even more if there were not so many glaring mistakes with respect to most everything written about firearms and their use in long range shooting. It’s as if Mr. Hunter has some rudimentary knowledge of a few things and he then tries to pass off this minimal knowledge as deep expertise. It messes up an otherwise very entertaining yarn. In this review, I just want to discuss the final duel between snipers as told in the book.
In the preparations for the long 1847 yard shot coming up, Mr. Hunter describes the riflescope as a Schmidt & Bender 5.5X25X56. No one who knows anything about optics would consistently refer to that riflescope has a 5.5X25X56. The proper name is 5-25X56. This denotes a variable magnification scope with a base magnification of 5X and a maximum of 25X with an objective lens of 56mm in diameter. There is no S&B 5.5-25X56, but there are a couple of 5-25X56 and they are highly thought of by the military. For the long range described in the book, I would think that the shooter would want greater magnification, so the S&B 12-50X56 might be more appropriate, if one is fixated on S&B. There are better, more powerful scopes from other manufacturers, but the S&B 12-50X56 would be just fine.
The S&B 5-25X56 has an elevation adjustment range of +/-32MOA, and a windage adjustment range of +/-17MOA. How the sniper was able to set 48MOA up and 24MOA of windage in this scope is beyond me.
The .338 LM with a .338 250gr Sierra HPBT at 3000FPS requires about 80MOA of elevation to get to 1850 yards according to JBM Ballistics. Since the scope only had 32MOA of internal travel, the scope would have to be mounted on an inclined ramp of at least 50MOA and even with that, the scope would be topped out and there would be no room for the specified 24MOA of windage; in fact you probably would not have more than a couple MOA of windage available. A displacement of 24MOA at 1850 yards represents 38 FEET to one side or the other. JBM shows that for that kind of displacement, there would have to be a 15MPH wind at full value, yet the book describes the actual conditions as quite calm, with a wind about 3-4MPH. JBM shows that a 4mph full value wind would need 7.5MOA of windage; that still represents a displacement of 12 FEET. A 3mph wind full value needs 6.1MOA or 9.75 FEET. As you can see a difference of 1MPH represents 2.25 feet at the target. I’m fairly well trained in wind speeds estimation and there is no way I can make that distinction. And that is a steady wind all along the trajectory, for the 3.4 second flight time. Yeah sorry, it’s not 5 seconds. And the energy at the target is 538 ft-lbs, not the 1000 as described in the book.
But let’s leave aside the windage issue for the moment, even though that is the biggest variable factor in long range shooting, and let’s talk more about bullet drop. In a scoped rifle, the riflescope always has a direct (aptly-named) line of sight to the target. What varies with the distance is the angle of elevation of the barrel to match the distance to the target. As I mentioned earlier, the .338LM with a 250gr SMK HPBT at 3000FPS will need 80 MOA of elevation for 1850 yards. 80MOA at 1850 yards is 1554 inches, 130 feet from a 100 yard zero.
Put another way, if the riflescope is zeroed to 1850 yards, at 100 yards the bullet will be 84 inches above the line of sight. That’s 7 feet above LOS at 100 yards and the bullet is climbing fast. In fact, the apex of the trajectory will occur at about 1100 yards and the bullet will be 594 inches above LOS. That’s about 50FEET high.
Now in the final duel, the jihadi sniper is focused on his target 1847 yards away and if about to take the shot, when the helicopter drops into his LOS, so that he sees it in the scope. Our hero Swagger, is on the floor of the helicopter with the 6.5CM Remington 700 the jihadi sniper had used to kill someone at 300 yards. One would guess that Swagger instructed the pilot to drop into the view at about 300 yards from the jihadi sniper as there was no time to figure any different range, but that is not mentioned in the book. Swagger just says "middle of the Anacostia River." On a map, one can see that the golf course is in the middle of the Potomac River, and on the east side, the Anacostia branches off. The Anacostia River is not very wide, about 300 yard, but since we are looking at an 1847 yard shot, the building where Juba is hiding will be further northeast on the east side of the river and the Anacostia is a lot wider at the National War College. So, in the “middle of the river”, in an 1847 yard line between the building and the green, with the National War College on the scene, that should be about 300 yards from Juba.
Neill was insistent that the rifle had not be touched or adjusted in any way from the time when they found it at the scene. So 300 yards is what we are going to play with because it makes sense for what Swagger is attempting to do and it fits the map.
When the jihadi realizes that a helicopter bearing sniper gifts is blocking his view, he adjusts the focus and then he places the illuminated dot on the figure that he recognized as the sniper.
We already know that at 100 yards, the bullet would be 7 feet above point of aim and climbing. What would it be at 300 yards? Well, the answer is 20 FEET. So when Juba fired at the helicopter and Swagger, the bullet would have passed 20 feet above his point of aim, clear above the helicopter, which is 16feet high, from bottom of the wheels to the top of the tail rotor blades. The bullet would have landed on the putting green, 1847 yards away, not in Swagger. The safest place to be in fact, was in the helicopter 300 yards away; with the riflescope used in the story, set up on a 50+MOA canted rail, there was no way the jihadi sniper could hit the helicopter at 300 yards in the few seconds of the final duel.
Therefore, instead of the lame end of the story where Swagger gets hit by a bullet with 3600+fl/lbs of energy and lives to tell the tale, we could have had an exciting and technically accurate final duel.
Inside the helicopter as they are speeding to the scene, Swagger explains they need to get the helicopter positioned about 300 yards (3 football field lengths) from the window since the Remington 700 6.5CM, its ammo, and the scope are set for that distance. The pilot and other occupants are afraid of being in the line of fire at that point and that they are about to sacrifice themselves to save an ex-president. Swagger quickly explains:
“Folks, don’t worry about that. Juba’s entire mindset is about the 1847 yard shot; the rifle is setup for that shot, not for a 300 yard chip shot. When he sees us in his scope, we will be blurred but distinguishable. His instinct at that point will be to put the reticle on us and fire. At 300 yards, his shot will go over us completely. I’ll end his career of terror before he even realizes that he totally missed us. Now, even if he was able to realize that we are so much closer before he takes the shot, he will not be able to make any adjustments with the scope to come anywhere close to us. He would have to shoot maybe 15-20 feet under us and that’s out of view of the scope. Because the field of view of that scope is only 12 feet at 300 yards, meaning that above the center dot, there is only 6 feet of view. So holding 15-20 feet under is going to be very hard and I won’t give him the time to figure all that out. When he sees us, he’ll fire right away aiming straight at us; that’s his whole mindset right now. I won’t give him the time for a follow up shot.”
“Hey Swagger, where’s his bullet going to go? Onto the green?”
“Yeah, good point, let push down a little bit so the round will fall short of the green. It doesn’t take much, a foot or two and the bullet will fall way short of the green. Let’s just make sure I can see him.”
… (describe the event).
“When I fired at him, I saw the look of realization on his face. Just before my bullet reached him, he knew he had made a mistake, a fatal mistake.”
I’m sure Mr. Harper would have made it much more exciting.
The story concerns a gold-star mother who has lost her beloved son to a sniper's bullet. This woman asks Bob to help find the person who did this and offers her personal help whenever and wherever possible (coming in at one particularly memorable plot point). Bob is up for the hunt, of course, and he is aided by the FBI, some local authorities and (in delightful ways) by the Mossad.
In hunting for "Juba the sniper" Bob (and Juba) crisscross the country, for Juba is 'on assignment' and his target is one of the principal mysteries in the story. Juba is aided by a whole host of baddies, by the Iranians (in general) and by the leader of a Mexican drug cartel (in specific ways). The latter is over-the-top nasty but he will have to conjure with Juba's many skills when they begin to work at cross purposes.
The bottom line is that the settings are nicely realized, the characters are engaging and memorable and the story line is excellent (though there are moments that stretch credulity and plausibility). The chief issue is the degree of technical detail. Thus, it all comes down to reader type.
If you are type A, you are as fascinated by weaponry and technique as Stephen Hunter and you will read and re-read this book, giving it a seven or eight on a scale of 1-5.
If you are type B, you will not understand very much of what Stephen Hunter is talking about, but you will take it on faith that he is being accurate and you will see the technical details as anchoring the book's 'realism'—an essential element in crime fiction. Even though the technical detail will strike you as excessive you will marvel at Stephen Hunter's knowledge and still enjoy the story. You will give it 4 and a half stars. (Admission: I am a type B here.)
If you are type C you came to the novel qua novel; you wanted the unvarnished story without too many distractions. You will be disappointed by the level of technical detail and consider it a significant detriment. You will consider GAME OF SNIPERS one of the author's lesser efforts. You might even stop reading before finishing it.
Bottom line: let the potential buyer beware or glow with anticipation.
Top reviews from other countries




Reviewed in the United Kingdom 🇬🇧 on September 3, 2020



